{"id":173,"date":"2019-03-12T23:31:39","date_gmt":"2019-03-12T23:31:39","guid":{"rendered":"http:\/\/sarahmfarmer.com\/?post_type=avada_portfolio&p=173"},"modified":"2021-02-19T17:30:10","modified_gmt":"2021-02-19T17:30:10","slug":"consider-your-footing","status":"publish","type":"avada_portfolio","link":"https:\/\/sarahmfarmer.com\/index.php\/portfolio-item\/consider-your-footing\/","title":{"rendered":"Consider your footing"},"content":{"rendered":"

Performance & Recording<\/p>\n<\/div>

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Cyanotope kelp prints,\u00a0Shipping forcast recitation,<\/p>\n

Copper,\u00a0Willow,\u00a0Bluetooth speaker<\/p>\n

Archive lighthouse sound recordings (Alan Renton),<\/p>\n<\/div>

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Consider your footing<\/h2><\/div>
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2017, University of Birmingham, Performed for BEAST FEaST.\u00a0Made in conjunction with
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2017, University of Birmingham, Performed for BEAST FEaST<\/p>\n<\/div>

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Consider<\/p>\n

Your<\/p>\n

Footing<\/p><\/h2><\/div><\/div><\/div><\/div><\/div>

A Processional\/Recessional ceremony<\/h4>\n

A performative response to Anne Parouty\u2019s and Scott Wilson\u2019s installation Kelp Road<\/em> and a ceremonial signalling towards the end of the festival. Made from the shipping forecast, recordings of lighthouse fog warning signals, many of which are now silent, and remaining cyanotype prints on loan from Anne, stitched into a ritual gown.\u00a0<\/span><\/h5>\n
The procession was inspired by the slow movements of the delicate kelp prints and the heavy ocean sounds of the waves crashing, cycles of the moon and methods of communication between sea farers.<\/h5>\n<\/div><\/div><\/div><\/div><\/div><\/div>
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      Processional soundtrack<\/p>\n<\/div>